The goal of this paper was to pick a topic of interest in the novel A Farewell to Arms, by Ernest Hemmingway, and analyze it. In class we watched a biographical movie on Hemmingway and his life experiences intrigued me so, for my topic, I chose to analyze whether Hemmingway based his characters in his book on the real people who played major rolls in his life. His girlfriend was an American nurse named Agnes and in his novel A Farewell to Arms, the main character falls in love with an American nurse, Catherine Barker. Going off of a few simple details I picked up from the film, I created an analytical essay on the novel A Farewell to Arms.
Sara Cranford
Mrs. Robinson
H. English 3
15 November 2007
A Personal Metaphor or Simply a Fictional Novel
To express his life through the novel A Farewell to Arms, Hemingway introduces the character Catherine to represent his real life love, Agnes. Upon first glance, one might think that Hemingway wrote the novel, A Farewell to Arms, base on how he hoped his relationship with Agnes would have ended. If this statement is true then why did he chose for Agnes’s character, Catherine, and her child to die? Hemingway chose for Catherine to die because he needed to rid his heart of the pain that Agnes struck him with when she left him for another man. If he let the child live then there would always be a constant reminder that Agnes was gone, therefore the child too had to die. Hemingway was an American solider who fought in World War 1 on the Italian front. His novel, A Farewell to Arms, is based on his experiences in Italy and his encounter with an American nurse, Agnes, with whom he fell in love. Hemingway planed to marry and spend the rest of his life with Agnes; however, when he returned home to the states Agnes wrote him a letter saying that she had fallen for an Italian officer and the two were engaged to be married. Hemingway was in the process of writing his novel in which he based the main characters Henry and Catherine on himself and Agnes. When Agnes left him, it was like a dagger going straight to his heart, consequently he chose for Agnes’s character in the novel to die. Catherine and Henry were expecting a child, but since Hemingway could not spend the rest of his life with Agnes why would he want that everyday reminder that she was gone; therefore, he chose for the child to die as well. It has been said that Hemingway wrote the conclusion to his novel thirty-nine times. The varieties of conclusions vary in length in an aim to achieve a conclusion mirroring the life choices of the creator. The Sense of an Ending to A Farewell to Arms states, “The conclusion of a life can be as arbitrary and/or artistically appropriate as the conclusion of a novel” (Oldsey). Hemingway wrote and re-wrote the ending to his novel to perfect Catherine’s death. In one conclusion, Hemingway reached back to “Henry’s near fatal wounding as he compares the traumatic effect of Catherine’s death on him with that produced by the physical wound: in both instances the numbness wears off and only the pain still remains” (Oldsey). His goal was to mirror his own life and end the novel with his expression of the pain he was suffering by creating the ideal death for Catherine.Hemingway also created three “Live-Baby Endings”, but “the third makes it clear that he attempts to provide an ending in which the fact of birth, of new life, mitigates death. In this version Henry finds it difficult to talk about the boy without feeling bitter towards him, but concludes philosophically that ‘there is no end except death and birth is the only beginning’” (Oldsey). These examples, however, never seemed quite right to Hemingway. It is apparent that having the child around would be a constant reminder that Catherine was gone. This daily memento simply deepened Hemingway’s pain because of his loss of his true love. It only seemed fit that he chose for the child to die with his mother so that there would be no lingering pain of emptiness. In “Pseudoautobiography and Personal Metaphor”, Millicent Bell says that “It was not memory but printed source material that supplied the precise details of its descriptions of historic battle scenes on the Italian front in World War 1” (Bell). This statement shows that Hemingway did indeed write his novel base on his own life experiences, the question is: to what extent? He based his characters on himself and his love in the time of the war. His occupation as an ambulance driver on the front, his friends, and the background was all true. However, it has also been said, “The only writing that was any good was what you made up, what you imagined”. Hemingway felt that the only good ending to his novel was an imagined one; one that included a major death. A Farewell to Arms is not about love or the war; it is about the author’s state of mind. This statement relates back to the original idea that Hemingway wrote his novel based on how he desired for his relationship with Agnes to end. His devastation over her leaving him caused Hemingway to end the novel the way he did, with Catherine’s and the child’s death. He needed to get Agnes out of his heart and his mind so he chose for her character to die. No more reminders of her unexpectedly leaving him, breaking his heart into a million pieces.
